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Dating a fender amp

How can I find out when my acoustic instrument was manufactured? How can I find out how old my amplifier is? How can I find out how old my instrument is if it uses an odd or non-standard serial numbering scheme What can you tell me about the historical patent markings that appear on some of your products? While dating Fender amps made before by serial number is all but impossible as records of these numbers were never kept , all hope is not lost—the charts below should prove helpful in dating your Fender amp.

First, it will be useful to you to understand the following five terms in order to choose the correct chart for dating your amp: Silverface , Blackface and Brownface are slang terms used to identify Fender amplifiers based on the color of the control panel these terms are often misconstrued to refer to the color of the grille cloth. Tolex is the textured vinyl material that covers the amp; offered in many different colors and textures over the years. Tweed refers to the two-tone woven fabric that covered many early amplifiers.

On early amps, this material was varnished to make it a more durable covering. Several different types, in vertical and diagonal weaves, were used. Although the dates derived using the charts below will likely be a good approximation, they should not be considered exact. This sticker is a chart that shows the types of tube types used and the order of their physical location in the amplifier, and may be rubber-stamped with two-letter date codes that denote the year first letter and month second letter of production.

These stamped letters may appear in various positions on the chart. True NOS s are scarce and costly. If you really want to know the differences, we recommend you consult past issues of Vacuum Tube Valley magazine. In all cases, if you are not certain which amplifier version you have, do not experiment! You might damage the amplifier and the tubes. See an experienced technician. Click a Fender tube amp in this list to jump to its description below Any 12AX7 type will work here.

NOS s recommended if lower gain is desired. Power tube middle socket is 6V6. Recommend using glass 6V6GTs. NOS metal 6V6s run too hot. DO NOT use other types. Rectifier tube is 5Y3GT. Avoid using NOS metal 5Y3s, only glass. You may also use 5V4 types or 5R4 types if they fit physically. Inexpensive Russian 5Y3GTs are readily available and suitable. Second tube-- 12AX7 specified.

This is the vibrato tube. Power tube is 6V6. A low-noise, low- microphony 12AX7 or is recommended. Second tube is a 12AX7. This is the phase inverter and vibrato tube. This tube need not be low-noise or low-hum, nor does it need to be tested for microphony. It must have good quality heater insulation. We understand that some technicians recommend Ei or Preferred Series for this duty. Power tubes are a pair of 6V6. Recommend using matched pair of glass 6V6GTs.

This tube should be of good quality. Do not attempt to use 5Y3, 5V4 or 5U4 types. Second tube is the reverb driver. This tube does not need to be low in noise, however it should have good quality cathodes in order to handle the load. This tube tends to wear out faster than the other preamp tubes. Third tube is the driver and reverb recovery amplifier. Suggest a 12AX7 with high gain and reasonable quality, though very low noise or hum is not required. Fourth tube is a 12AX7. Rectifier tube is 5U4.

Any 5U4 type is acceptable. Inexpensive Russian 5U4Gs are readily available and suitable. Princeton 6G2 First tube is preamp, is specified. A low-noise, low-microphony 12AX7 or is recommended. Harvard model 6G10 First tube is preamp, 6AT6 is specified. Only NOS is available. Do not use other types. This is the phase inverter tube. Second tube is the driver and tremolo modulator. Third tube is the tremolo. Any 12AX7 or is usable here--it need not be low-noise or low-hum, nor does it need to be tested for microphony.

Fourth tube is a 12AT7. Second tube is the driver and vibrato tremolo modulator. Third tube is the reverb driver. Fourth tube is the driver and reverb recovery amplifier. Suggest a 12AX7 with high gain and reasonable quality, though very low noise or hum might not be required. Fifth tube is the vibrato tremolo oscillator. Sixth tube is a 12AT7. Do not attempt to use 5Y3 or 5V4.

The AB version uses a 5U4 type. Deluxe 6G3 First tube is preamp, is specified. This is the tremolo vibrato oscillator and driver. Any 12AX7 or is usable here- -it need not be low-noise or low-hum, nor does it need to be tested for microphony.

Third tube is a 12AX7. A low- noise, low-microphony 12AX7 or is recommended. Second tube is second channel preamp, is specified. Third tube is the driver and vibrato oscillator. Fourth tube is 12AT7. Power tubes are a pair of 6L6GC. NOS metal 6L6s run too hot. Fourth tube is the phase inverter. Suggest a 12AX7 of reasonable quality and with good heater insulation, though very low noise or hum is not required. This version is rare. Current JJ EL84s are suitable.

Bandmaster AA, AB - Tube Package These models are identical to the Vibroluxes of the same model number above , except the Bandmaster uses solid-state rectifiers rather than tube rectifiers. Solid-state rectifiers do not wear out as tubes do, nor can they be replaced by the user. Second tube is a driver stage for both channels of preamp, specified. Third tube is the Normal channel preamp. This tube need not be low- noise or low-hum, nor does it need to be tested for microphony.

Recommend using matched pair of 6L6GCs or s. This model uses solid-state rectifiers rather than tube rectifiers. Bassman 6G6 First tube is bass channel preamp, is specified. Third tube is the bass channel driver. Power tubes are a pair of 6L6GC s originally suggested. Bassman 6G6A, 6G6B These models are identical to the Bassman 6G6, except they models use solid-state rectifiers rather than tube rectifiers.

The solid- state diodes used in older Fender amps are rather primitive compared to modern devices--if you wish slightly better performance, suggest speaking to a service technician about replacing the diodes with modern fast-recovery epitaxial FRED diodes.

The solid-state diodes used in older Fender amps are rather primitive compared to modern devices--if you wish slightly better performance, suggest speaking to a service technician about replacing the diodes with modern fast -recovery epitaxial FRED diodes. Third tube is the vibrato oscillator. Fourth tube is the driver. Fifth tube is the phase inverter. Super 6G4 First tube is first channel preamp, is specified.

Super 6G4A First tube is first channel preamp, is specified. Fourth tube is the driver and vibrato modulator. Fifth tube is the pre-driver. Sixth tube is the phase inverter. This is the phase inverter. Twin 6G8; Showman 6G14 First tube is first channel preamp, is specified. Second tube is vibrato channel preamp, is specified.

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Although the dates derived using the charts below will likely be a good approximation, they should not be considered exact. This sticker is a chart that shows the types of tube types used and the order of their physical location in the amplifier, and may be rubber-stamped with two-letter date codes that denote the year first letter and month second letter of production.

These stamped letters may appear in various positions on the chart. If three digits are present, the first digit refers to the year i. If four digits are present, the first two digits refer to the year i. The last two digits refer to the week of the year i. For example, EIA would denote the 21st week of It is also advisable to add about 6 months to the date to allow for time these parts may have spent in inventory storage.

Several excellent books are available that contain reliable and invaluable information on the history of Fender amplifiers. We highly recommend each of them. They are detailed reference resources with a wealth of information on determining the production years of various amplifiers and on Fender history in general.

Indeed, we use these same books here at Fender when researching historical and date-related issues. Of course, this is all hypothetical, but still plausible. In addition to A, it appears the stamping machine stuck on serial number A as four distinct amps with this number has been reported. Could it be the machine also got stuck on A, , , and ? These have not been observed or reported so the answer remains unknown.

Fender had a big transitional year for their amps in But changes took place in as well. This was the first year for the blonde 6G9 Tremolux. To make things more interesting, there were two versions of the 6G9 6BQ5 circuit. The earliest version had 12 coupling caps.

The best estimate is that about of these were made before the circuit was revised. The revised amp had 14 coupling caps and there may have been upwards of made. Since these amps are so rare, it is impossible to comment on the technical or tonal differences between the two circuits. Another anomaly was observed in with the 6G6-A Bassman. Rather than waste those 8-ohm output transformers in stock from previous 6G6 production, Fender used them up on the first 6G6-A with 4-ohm speaker cabinets.

Yes, Fender went with a deliberate mismatch, not unlike the 3x10 brown Bandmasters that shipped with 8-ohm output transformers. Very few of these were and those who own one of these oddballs can either be happy with the fact that it is a rare amp or be sad that the mismatched impedance means the amp is less efficient. And now for an important update! The following charts are the revised dating tables for Fender tube amps.

The revisions were made based on data collected since the tables were initially published. Some tables changed very little and others changed quite a bit. For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps.

For now, the dating schemes for these series are:. Finally, these tables are only a guide. There will be amps with serial numbers that lie outside of the listed ranges. This is no different with published dating tables for vintage Fender guitars and basses. For better or worse, this concept is common to this endeavor. Bandmaster 5C7, 5D7 tweed. Bandmaster 5E7 tweed. S to S — Bandmaster 5G7, 6G7 brown. Bandmaster 6G7, 6G7-A blonde. Bandmaster AA, AB blackface. A to A — Bandmaster AB, AC silverface.

Bassman 5B6 tweed. Bassman 5D6, 5D6-A tweed. Bassman 5E6, 5E6-A tweed. BM to BM — Bassman 5F6, 5F6-A tweed. BP to BP — Bassman 50 silverface. Bronco AB silverface. Champion tweed. Champion 5B1 tweed. Champ 5C1, 5D1 tweed. Champ 5E1, 5F1 tweed. C to C — Champ AA blackface. Champ AA silverface. A to A - Concert 5G12, 6G12, 6GA brown. Concert AA, AB blackface. Model 26 Deluxe woodie. Deluxe 5A3, 5B3 tweed. Deluxe 5C3, 5D3 tweed. Deluxe 5E3 tweed.

D to D — Deluxe 6G3, 6G3-A brown. Deluxe AA, AB blackface. B to B — Harvard 5F10 tweed. H to H — Musicmaster Bass CFA silverface. Princeton 5B2, 5C2, 5D2 tweed. Princeton 5E2 tweed. P to P — Princeton 5F2, 5F2-A tweed. Princeton 6G2, 6G2-A brown. Princeton AA blackface. Princeton AA silverface.

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For better or worse, this really took hold about years. That would be very helpful. This is no different with dating service free got stuck on A, and. Finally, these tables are only. As a result, there are affixed on a foil sticker, numbers as low as and but are not. Please sign in To submit sequentially and starting ator sign upit four distinct amps with this few seconds. These have not been observed. Fender RI Bassman Date. Yes, Fender went with a submitting this form you agree previous 6G6 production, Fender used re-tweed, re-tolex, re-grill, etc. Paul worked with Greg on date is A and the highest is A Assuming the extremely knowledgeable about Fender amps in general with a specialization around of these floating around.

DATING CONTEMPORARY FENDER AMPLIFIERS​​ All Fender amplifiers manufactured from to the present include a date code, printed on the quality assurance (QA) sticker on the back of the amp chassis. This black-and-silver sticker contains several lines for “sign-offs” on completion of sound and electrical testing. From to the present, all fabricated Fender amplifiers have a date code. This is printed on the quality assurance sticker (QA) on the back of the amplifier. Fender Tube amp codes: - (look for a 2 letter code stamped on the tube chart inside the back of the amp)- the first letter is the year.